Luc Besson Puts A Latest Meaning to French Filmmaking
Last night when I was browsing through my DVD collection, which to my astoundment has reached over a 100, I came across this DVD of "The Professional." Then I remembered purchasing the DVD when my inquisitiveness about French film director Luc Besson started in the late 1990 with the release of "Joan of Arc." Besson, by the way, is the director of "The Professional," which showed the magnificent French actor Jean Reno and the then 12-year old Natalie Portman. I decided to watch the movie, and again caught myself thrilled with how Besson makes his films. The magnificent movie looked like a fantastic Hollywood blockbuster, totally different from the indie-type of French art films that we usually see.
However, Besson's way of filmmaking has over the years divided numerous French movie fans-- on one side are fans praising his talent while on the other side are critics calling Besson's work a complete sell-out of the French film tradition. If you will look at Besson's other works, like "The Fifth Element" and "Le Femme Nikita," it would be immediate for one to conclude that these movies had all the makings of a Hollywood action flick.
But in my personal opinion, I believe that Besson has every right to make movies according to his personal artistic theory, without being controlled by public opinion and cultural tradition. Besson, I believe, was able to create films that were adored not only by the French, but by anyone who generally appreciates movies.
However, Besson's way of filmmaking has over the years divided numerous French movie fans-- on one side are fans praising his talent while on the other side are critics calling Besson's work a complete sell-out of the French film tradition. If you will look at Besson's other works, like "The Fifth Element" and "Le Femme Nikita," it would be immediate for one to conclude that these movies had all the makings of a Hollywood action flick.
But in my personal opinion, I believe that Besson has every right to make movies according to his personal artistic theory, without being controlled by public opinion and cultural tradition. Besson, I believe, was able to create films that were adored not only by the French, but by anyone who generally appreciates movies.
